"The greatest thing you'll ever learn is just to love and be loved in return"

Moulin Rouge! is a celebration of truth, beauty, freedom, but above all things, love - set in the infamous, gaudy and glamorous Paris nightclub, circa 1899.

Baz Luhrmann uses an elaborate combination of gorgeous period design and modern-era pop tunes to create what he calls a "comic tragic, musical, operatic, Bollywood inspired cinema piece." It is a truly unique motion picture experience that really needs to be seen more than once to fully appreciate its impressive scope and unbridled imagination. Luhrmann captures his euphorically high-style vision of a tragic-comical, glamorous underworld through a very contemporary lens. The result recreates for today's audiences the heady, decadent thrills that enthralled patrons of the Moulin Rouge a century ago.

Nicole Kidman portrays Satine, the Sparkling Diamond. She is the star of the Moulin Rouge and the city's most famous courtesan, who finds herself caught between the love of a young writer and another man's obsession. Ewan McGregor is the writer, Christian, who finds himself lured into a decadent world where anything goes - except falling in love.

The story of Moulin Rouge! stems from the Orphean myth of a young poet-musician who descended to the underworld in search of ideal love. "It's a myth about idealism and adulthood, and the recognition that life throws up things beyond our control: the death of loved ones, relationships that don't last," Luhrmann explains. "According to the Orphean myth, this will either destroy you, or you'll go into the underworld, face it and return having grown from the experience." Moulin Rouge!'s Orphean hero is Ewan McGregor's Christian, whose love affair with the courtesan Satine is destined for tragedy. Christian subsequently emerges from his heartbreaking experience to determine that 'the greatest thing you'll ever learn is just to love and be loved in return'.

In Moulin Rouge!, the Orphean myth is central to what Luhrmann has dubbed his 'Red Curtain' theatrical style, which he has employed in each of his three films. Luhrmann explains, "We take a simple story based on a recognizable primary myth and set it in a heightened, created world that is at once exotic yet also recognizable. Strictly Ballroom was set in world of ballroom dancing, and Romeo and Juliet in the heightened world of Verona Beach. In our third film it's the underworld of the Moulin Rouge in 1899..."

"Most cinematic naturalism puts the audience into a dream state so that they may observe reality, if you like, through a key hole. Whereas we employ a constant device that awakens the audience and reminds them that at all times they are watching a film, in which they are impelled to participate. This constant reminder in Strictly Ballroom is the use of dance; in Romeo and Juliet it is the four hundred-year-old language of Shakespeare. In Moulin Rouge!, our contract with the audience, our device to awaken is the experience of music, or simply put, song. Yes, Moulin Rouge! is fundamentally a musical, perhaps an opera, but finally a story told through song."

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