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Official Images


US Vogue Magazine - July 2008 Edition
'Days of Heaven' - Photos by Annie Leibovitz





Vanity Fair Magazine - March 2009 Edition
Photos by Annie Leibovitz

NICOLE KIDMAN and BAZ LUHRMANN,
The Colonists
Two films together: Moulin Rouge! (2001) and Australia (2008).
“Compared with you, we are a taciturn people. But only compared with you,” wrote
the Australian critic Robert Hughes, addressing us Americans in his book The
Fatal Shore. The exuberant Luhrmann would have it the other way around—the
Aussies are the ones who make Americans look restrained and refined. His
swooping, sweeping pictures abound with old-style Hollywood theatricality, but
his sensibility—cheeky, sweaty, delirium-inducing—is wholly Australian, even
when, as in Moulin Rouge!, his films aren’t set in Australia. Casting Kidman as
the courtesan Satine (“the Sparkling Diamond”) in that movie, Luhrmann
recaptured her as an Australian national treasure: the sensual, sensational
Saucy Nic, back after a long period away in Kubrickian, Eyes Wide Shut limbo. In
Australia, Luhrmann steps back, to some extent, from the heightened artifice of
what he calls his “Red Curtain” style of filmmaking—nothing fizzy or
phantasmagoric about those Japanese bombs raining down upon the city of
Darwin—but his ambitions remain epic, and no filmmaker seems more able to set
Kidman’s face alight. It’s a serious film, but you get the sense that Luhrmann
and Kidman—a conspiratorial partnership between director and actress—had a ball
making it. Photographed in New York City.
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